Bra Boys

• Are Sydney's Bra Boys a violent gang or just a loyal bunch of surfers? This documentary narrated by Russell Crowe (AMERICAN GANGSTER) explores this underground culture from the inside courtesy of writer-director-producer Sunny Abberton. The filmmaker and his three brothers--Koby, Jai, and Dakota--lie at the heart of this engrossing true story about some of Australia's most notorious people

Bra Boys is a documentary film about the cultural evolution of the Sydney beach side suburb of Maroubra and the social
struggle faced by its youth, the notorious surf gang known as the Bra Boys.
Featuring Koby, Sunny and Jai Abberton and narrated by Russell Crowe, the film follows their success in professional big
wave surfing and explores their reputation for hard partying and rough justice. The film touches on the Bra Boys running
battle with authorities and shows their reliance on one another! to survive in a society in which they are displaced.

Deliver Us from Evil

• Actors: Oliver O'Grady, Thomas Doyle, Adam, Jeff Anderson, Pope Benedict XVI.
• Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
• Language: English. Subtitles: Spanish.
• Region: Region 1 (U.S. and Canada only).
• Rated NR. Run Time: 101 minutes.

The true story of the most notorious pedophile priest in the modern history of the Catholic church.A devastating investigation into the pedophilia scandals tearing apart the Catholic Church, Deliver Us From Evil begins by looking into one priest, Father Oliver O'Grady, who agreed to be interviewed by journalist/filmmaker Amy Berg. O'Grady's genial calm is at first ingratiating, until he begins to describe his crimes with an unsettling sociopathic detachment. But O'Grady's blithe interview is only half of the story, as the documentary also unveils how church superiors covered up O'Grady'! s crimes and shuffled him from diocese to diocese in northern California, finally placing him in an unsupervised position of authority in a small town, where he sexually assaulted dozens of children; the video deposition of Los Angeles Cardinal Roger Mahoney is a grotesque portrait in brittle denial. What makes Deliver Us From Evil crucial viewing, however, are the remarkable interviews with a few of the victims (now adults) and their parents, whose stories are wrenching and riveting. With the support of a priest seeking to reform the church, two of the victims actually go to the Pope, seeking some form of help in addressing O'Grady's crimes. This stunningly potent documentary combines raw feeling with lucid and persuasive discussions of the reasons for--and disturbing breadth of--this crisis within the Church. --Bret Fetzer

Green Toys Race Car-Blue

• Buckle up, because the Green Toys Race Car is ready to roll
• Built in the USA from 100% recycled plastic milk containers that saves energy and reduces greenhouse gas emissions
• This cool hot rod is better than any hybrid and proudly displays the #2 recycled plastic symbol from which it is made on its hood
• The ultra-eco design has no metal axles
• No BPA, PVC, phthalates or external coatings

Buckle up, because the Green Toys Race Car is ready to roll! Built in the USA from 100% recycled plastic milk containers that saves energy and reduces greenhouse gas emissions, this sleek racer will tear up the track without harming the planet. This cool hot rod is better than any hybrid and proudly displays the #2 recycled plastic symbol from which it is made on its hood. The ultra-eco design has no metal axles. No BPA, PVC, phthalates or external coatings. Packaged using only ! recycled and recyclable materials and printed with soy inks. Available in red, blue or pink.

Happy Feet (Widescreen Edition)

• Condition: New
• Format: DVD
• NTSC; Closed-captioned; Color; Widescreen

In the great nation of Emperor Penguins, deep in Antarctica, you're nobody unless you can sing - which is unfortunate for Mumble (ELIJAH WOOD), who is the worst singer in the world. He is born dancing to his own tune...tap dancing. As fate would have it, his one friend, Gloria (BRITTANY MURPHY), happens to be the best singer around. Mumble and Gloria have a connection from the moment they hatch, but she struggles with his strange "hippity- hoppity" ways. Away from home for the first time, Mumble meets a posse of decidedly un-Emperor-like penguins - the Adelie Amigos. Led by Ramon (ROBIN WILLIAMS), the Adelies instantly embrace Mumble's cool dance moves and invite him to party with them. In Adelie Land, Mumble seeks the counsel of Lovelace the Guru (also voiced by ROBIN WILLIAMS), a crazy-feathered Rockhopper ! penguin who will answer any of life's questions for the price of a pebble. Together with Lovelace and the Amigos, Mumble sets out across vast landscapes and, after some epic encounters, proves that by being true to yourself, you can make all the difference in the world. For anyone who thought the Oscar-winning documentary March of the Penguins was the most marvelous cinematic moment for these nomads of the south, you haven't seen nothing yet. Happy Feet is an animated wonder about a penguin named Mumble who can't sing, but can dance up a storm. George Miller, the driving force behind the Babe (and Mad Max) movies, takes another creative step in family entertainment with this big, beautiful, music-fueled film that will have kids and their parents dancing in the streets. From his first moment alive, Mumble (voiced Elijah Woods) feels the beat and can't stop dancing. Unfortunately, emperor penguins are all about finding their own heart song, and the! dancing youngster--as cute as he is--is a misfit. Luckily, he! bumps i nto little blue penguins and a Spanish-infused group (led by Robin Williams) and begins a series of adventures. Miller has an exceptional variety of entertainment: Busby Berkley musical numbers, amusement-park thrills, exciting chase sequences (seals and orca lovers might like think otherwise), and even an environmental message that doesn't weigh you down. Best of all, you don't know where the movie is going in the last act, a rare occurrence these days in family entertainment. A fusion of rock songs, mashed-up and otherwise, are featured; this movie is as much a musical as a comedy. Mumble's solo dance to a new version of Stevie Wonder's "I Wish" by Fantasia, Patti, and Yolanda may be the most joyful moment on camera in 2006. --Doug Thomas

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In the great nation of Emperor Penguins, deep in Antarctica, you're nobody unless you can sing - which is unfortunate for Mumble (ELIJAH WOOD), who is the worst singer in the world. He is born dancing to his own tune...tap dancing. As fate would have it, his one friend, Gloria (BRITTANY MURPHY), happens to be the best singer around. Mumble and Gloria have a connection from the moment they hatch, but she struggles with his strange "hippity- hoppity" ways. Away from home for the first time, Mumble meets a posse of decidedly un-Emperor-like penguins - the Adelie Amigos. Led by Ramon (ROBIN WILLIAMS),! the Adelies instantly embrace Mumble's cool dance moves and i! nvite hi m to party with them. In Adelie Land, Mumble seeks the counsel of Lovelace the Guru (also voiced by ROBIN WILLIAMS), a crazy-feathered Rockhopper penguin who will answer any of life's questions for the price of a pebble. Together with Lovelace and the Amigos, Mumble sets out across vast landscapes and, after some epic encounters, proves that by being true to yourself, you can make all the difference in the world.For anyone who thought the Oscar-winning documentary March of the Penguins was the most marvelous cinematic moment for these nomads of the south, you haven't seen nothing yet. Happy Feet is an animated wonder about a penguin named Mumble who can't sing, but can dance up a storm. George Miller, the driving force behind the Babe (and Mad Max) movies, takes another creative step in family entertainment with this big, beautiful, music-fueled film that will have kids and their parents dancing in the streets. From his first moment alive, Mumble ! (voiced Elijah Woods) feels the beat and can't stop dancing. Unfortunately, emperor penguins are all about finding their own heart song, and the dancing youngster--as cute as he is--is a misfit. Luckily, he bumps into little blue penguins and a Spanish-infused group (led by Robin Williams) and begins a series of adventures. Miller has an exceptional variety of entertainment: Busby Berkley musical numbers, amusement-park thrills, exciting chase sequences (seals and orca lovers might like think otherwise), and even an environmental message that doesn't weigh you down. Best of all, you don't know where the movie is going in the last act, a rare occurrence these days in family entertainment. A fusion of rock songs, mashed-up and otherwise, are featured; this movie is as much a musical as a comedy. Mumble's solo dance to a new version of Stevie Wonder's "I Wish" by Fantasia, Patti, and Yolanda may be the most joyful moment on camera in 2006. --Doug Thomas

Fear Dot Com : Widescreen Edition

• Widescreen

Four people all died 48 hours after logging on to a website named feardotcom.com. Tough detective Mike Reilly (Stephen Dorff) collaborates with Department of Health associate Terry Huston (Natasha McElhone) to research these mysterious deaths. The only way to find out though what really happened is to enter the site itself. Fear Dot Com is a total-dot-mess, but it's a stylishly graphic frightfest that horror buffs will probably appreciate. As he did with his 1999 remake of House on Haunted Hill, director William Malone favors trippy atmosphere at the expense of acting, character development, and plot. Belatedly jumping on the Internet-thriller bandwagon, the film follows a brooding detective (Stephen Dorff) and a public health inspector (Natascha McElhone) as they investigate the deadly influence of the titular Web site, which channels the innermost fears of its visit! ors until they die of fright 48 hours later. Why 48 hours? Don't ask; Josephine Coyle's screenplay is as incoherent as Malone's grasp of narrative momentum, leaving Dorff and McElhone with little to do but look frightened and doomed. But Fear Dot Com has its moments, especially after mad doctor Stephen Rea's gruesome villainy is fully revealed, and the proceedings take on the monochrome pallor of silent German expressionism. Too bad these fantastic visuals weren't servicing a better movie. --Jeff ShannonA horror film whose topicality is tied to the dot-com boom is asking for trouble, and sure enough William Malone's follow-on to House on Haunted Hill turned out to be something of a murky bust. But composer Nicholas Pike's smartly understated score certainly deserves a better hearing. Working from inspirations as diverse as brooding Russian classical motifs, the baroque, and 20th-century modernism, Pike serves up a subtle cocktail of creepiness. On the c! ues "Alistair Gets Cozy/Cozier," he playfully turns the horror! -film cl ichés of creaking hinges, leaden footsteps, and squeaking doors into wry mini-concertos of dread. There are a few obligatory crashing crescendos, wailing choirs, and action cues in the composer's largely seamless melding of the orchestral and electronic, but overall it's a soundtrack that wisely relies more on spacious dynamics than on cheap jolts to paint its evocative soundscape of dread. --Jerry McCulley DVD

Cronicas

• "One Hour with the Truth" is broadcast nightly from Miami across Latin America, carrying the hardest sensationalistic stories it can find. Star anchorman Manolo Bonilla (John Leguizamo) has flown down to a small town in Ecuador with producer Marisa (Leonor Watling) and cameraman Ivan (Jos Mari Yazpik) on the trail of a child serial killer and rapist, "The Monster of Babahoyo." The accidental de

John Leguizamo stars as Manolo Bonilla, a tabloid TV reporter who traveled from Miami with his news crew on the trail of a story about a serial killer striking a small town in Ecuador. Convinced this story could be the ‘big one’ that makes him a network star, he is willing to bend the rules to get the facts. But the closer he gets to uncovering the truth, the more he finds his carefully planned story spinning dangerously out of control. Soon, Bonilla and his crew find themselves at the center of! a frightening situation where even the best intentions can backfire.In twisty thriller Crónicas, John Leguizamo (Moulin Rouge) finally lands a lead role worthy of his talent. The Columbian-born actor is Manolo Bonilla, an ambitious Miami-based reporter for a Spanish-language news outlet. When a serial killer devastates a small town in Ecuador, he and his crew, Marisa (Leonor Watling, Talk to Her) and Iván (José María Yazpik, Innocent Voices), fly down to cover the story. Shortly after their arrival, Bonilla saves the life of shifty-looking salesman Vinicio Cepeda (Damián Alcázar). His intentions aren't as honorable as they seem. Cepeda claims to have information regarding the "Monster of Babahoyo" and Bonilla will do anything to keep him talking. Soon his star begins to rise as Cepeda provides him with more and more ratings-grabbing details. Then Bonilla discovers something even the authorities don't know about--another body. His decision ! to follow the lead on his own could make his career...or compl! etely de stroy it. Worse yet, another child may lose his life if Bonilla fails. Featuring Alfred Molina (Frida) as Marisa's TV host husband (seen only via monitor). Written and directed by Sebastián Cordero and produced by Guillermo del Toro and Alfonso Cuarón, Crónicas was nominated for the Grand Jury Prize at the 2005 Sundance Film Festival. --Kathleen C. Fennessy

Roxy Juniors Free Fall Boardshort, Black, X-Large

• smocked waistband
• all over print

4 way stretch boardshort

Charlie's Angels [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

THE ANGELS INVESTIGATE A SERIES OF MURDERS THAT OCCUR AFTER THE THEFT OF A WITNESS PROTECTION PROFILE DATABASE. THEIR PRIME SUSPECTS? A FALLEN ANGEL (MOORE) WHO WAS ONCE THEIR ALLY AND THE CREEPY THIN MAN (GLOVER).Charlie's Angels: Full Throttle is a big, fun, bubble-brained mess of a movie, and that's exactly as it should be. Its popular 2000 predecessor got the formula right: gorgeous babes, throwaway plots, and as many current pop-cultural trends as you could stuff into a candy-coated dollop of Hollywood mayhem. This sequel goes one "better": The plot's even more disposable (if that's possible), the babes, cars, and fashions even more outlandish, and the stuntwork (heavily digital, heavily absurd) reaches astonishing heights of cartoon silliness. Reprising their titular (and shamelessly ! titillating) roles, Cameron Diaz, Drew Barrymore, and Lucy Liu are having the time of their lives, especially when sparring with ultra-buff rogue angel Demi Moore (looking better at 40 than most women half her age) and Justin Theroux as a sleazy Irish mobster. Bernie Mac replaces Bill Murray as angel-sidekick Bosley (they're step-brothers, don'cha know), which is one more indication of McG's intentionally reckless stewardship of an intentionally reckless franchise. Our advice: sit back, relax, and get jiggly with it. --Jeff ShannonSexy Angels are back to go head-to-head with Angel-Gone-Bad! Aided by trusty sidekick Bosley, these hot and heavenly beauties really kick butt to reclaim rings encrypted with information about every person in the Federal Witness Protection Program! Sizzling with attitude, they put the pedal to the metal to launch a do-or-die thrill ride that never slows down!Charlie's Angels: Full Throttle is a big, fun, bubble-brained mess of a movi! e, and that's exactly as it should be. Its popular 2000 predec! essor go t the formula right: gorgeous babes, throwaway plots, and as many current pop-cultural trends as you could stuff into a candy-coated dollop of Hollywood mayhem. This sequel goes one "better": The plot's even more disposable (if that's possible), the babes, cars, and fashions even more outlandish, and the stuntwork (heavily digital, heavily absurd) reaches astonishing heights of cartoon silliness. Reprising their titular (and shamelessly titillating) roles, Cameron Diaz, Drew Barrymore, and Lucy Liu are having the time of their lives, especially when sparring with ultra-buff rogue angel Demi Moore (looking better at 40 than most women half her age) and Justin Theroux as a sleazy Irish mobster. Bernie Mac replaces Bill Murray as angel-sidekick Bosley (they're step-brothers, don'cha know), which is one more indication of McG's intentionally reckless stewardship of an intentionally reckless franchise. Our advice: sit back, relax, and get jiggly with it. --Jeff ShannonNo D! escription Available.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 7-FEB-2006
Media Type: DVDThree beautiful private detectives who work for a suave playboy boss are called in to rescue soon-to-be billionaire software mogul Eric Knox, when he is kidnapped from his office at Knox Technologies. While rough-and-tumble Alex, wild-child Dylan, and nerdy Natalie use an impressive array of high-tech gadgetry and martial arts moves to retrieve Knox from the clutches of rival Roger Corwin and his goons, they unwittingly become embroiled in a battle to protect the world from a wide-scale invasion of privacy that threatens to occur when good technology falls into the hands of bad people.For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron! Diaz, Drew Barrymore (who also produced), and Lucy Liu starri! ng as th e hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for ! the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug Thomas