Rabu, 30 November 2011

House, M.D.: Season Six

  • Condition: New
  • Format: DVD
  • AC-3; Box set; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
Studio: Uni Dist Corp. (mca) Release Date: 08/30/2011 Rating: NrGet ready for a full dose of medical mysteries with 21 episodes of the riveting drama series, House. Hugh Laurie is joined by James Earl Jones (Star Wars), Laura Prepon (That '70s Show) and David Strathairn (The Bourne Ultimatum) in guest appearances as he returns to his Golden Globe® winning and Primetime Emmy® Award-nominated role as Dr. Gregory House. In this brilliant sixth season, House finds himself in an uncomfortable positionâ€" away from the examination room. As he works to regain his license and his life, his coworkers deal with the staff shakeups, moral dilemmas, and their own tricky relationships with House. And when House returns more obstinate than ever, Princeton-Plainsboro Teaching Hospital will never be th! e same again.The sixth season of House, M.D. starts off with a phenomenal two-part episode that sets the tone for the rest of the year. After years of abusing prescription drugs (and colleagues), Dr. Gregory House (Hugh Laurie) finds himself in a psychiatric ward as a patient who is not so patient with his own doctor. Smart and manipulative, House tries to finagle his way out of the hospital. But his selfish actions set off a chain reaction of events that manage to shake even his own confidence--temporarily, at least. This season spends a lot of time delving into House's psyche and the writers do a wonderful job depicting a brilliant, sad, and flawed man who knows more than most, but not enough to save every patient who comes to see him. That glimpse allows viewers to sympathize with his addictions but leaves them guessing as to whether the good doctor will be able to shake his dependency on drugs for good. However, viewers are never actually convinced when House qui! ts his job. In many ways, he is his job.

House has ! always t ackled fascinating cases and that continues this season, though the symptoms aren't overly dramatic by House standards. The team tries to save a man whose family history indicates that he will die of a heart attack before he turns 40. They try to help a brilliant scientist whose depression and addictions make him feel he's better suited for a simpler life as a courier. And Wilson (Robert Sean Leonard) may once again be grappling with cancer. It's a credit to this show that while it features such a strong lead character, the costars don't get shafted in the process. Wilson is one of the show's most charming characters and, by default, has become House's best friend. The two of them share a home and bicker like an old married couple. When a woman they both are attracted to mistakenly assumes that they're a complicated gay couple, we can't help but laugh. But Wilson's love life is made difficult by the return of his ex-wife and House doesn't want to see his friend hurt a! gain. He can abuse Wilson, but he doesn't want her to do the same.

House's boss Cuddy (Lisa Edelstein) has her own issues, juggling a harried personal life and the complications that come with trying to keep House in line. Chase (Jesse Spencer) falls under scrutiny this season after treating a controversial politician who he fears will murder innocent civilians. He finds himself struggling with the Hippocratic oath to treat all patients--even the ones he finds distasteful--to the best of his ability. And of the main characters on the show, one will be fired, another will profess their love for a colleague, and three of them will look for love via a speed-dating service. Yes, the story lines are all over the place, but then again, so is House. --Jae-Ha Kim

Great Directors: Volume 1 (Dersu Uzala / The Mirror / Les Bonnes Femmes / Il Grido / Circle of Deceit) (5D)

  • GREAT DIRECTORS VOL. 1 (DVD MOVIE)
Ten of the greatest filmmakers in the world passionately discuss their craft in Angela Ismailos' hugely entertaining documentary GREAT DIRECTORS. Bernardo Bertolucci, David Lynch, Todd Haynes, Richard Linklater, Stephen Frears, Agnes Varda, Ken Loach, Liliana Cavani, Todd Haynes and Catherine Breillat open up about their extraordinary careers with unexpected candor and humor. Ismailos gets them to talk about their artistic evolution from their debut works to their recent triumphs, as well as the role that politics and history play in their films. David Lynch discusses how Mel brooks netted him his job on THE ELEPHANT MAN as well as his travails with the studio on DUNE. And the all honor their influnces, from Todd haynes on Fassbinder and Breillat on Ingmar Bergman, to Lynch on Billy Wilder and Hitchcock. GREAT DIRECTORS is an illuminating and surprising cras! h course on the state of contemporary cinema, and an example for where it might be headed.

SPECIAL FEATURES: Over three hours of additional interviews with these award winning directors, promotional trailer.AKIRA KUROSAWA
ANDREI TARKOVSKY
CLAUDE CHABROL
MICHELANGELO ANTONIONI
VOLKER SCHLONDORFF

Akira Kurosawa s DERSU UZALA (1975, Color, 140 Minutes, Letterboxed) Winner of the 1975 Academy Award for Best Foreign Language Film, this Kurosawa epic is a Siberian adventure that features stunningly photographed battles of man dueling nature.

Andrei Tarkovsky s THE MIRROR (1974, Color/B&W, 106 Minutes, Full Frame) Tarkovsky s most personal (and beautiful) work, The Mirror delves into his childhood to conjure up a stream of sublime images that reflect a WWII-scarred youth and a haunted future.

Claude Chabrol s LES BONNES FEMMES (1960, B&W, 93 Minutes, Letterboxed) One of the most erotic and suspenseful treats of the French New Wave, this Chab! rol-helmed classic tracks the loves and stalkers of four prett! y shopgi rls who soon discover the dark side of passion.

Michelangelo Antonioni s IL GRIDO (1957, B&W, 115 Minutes, Full Frame) One of Antonioni s unsung masterpieces, Il Grido is a wrenchingly bittersweet tale of lost love replaced by lust, achieving a tragic poetry unequaled in the great director s illustrious career.

Volker Schlondorff s CIRCLE OF DECEIT (1981, Color, 108 Minutes, Letterboxed) This explosive tale of sex and politics in war-torn Beirut is one of the richest films in Schlöndorff s career. Setting up a minefield of ethical conundrums and personal jealousies, it s a scorching take on the modern media.

Hitch (Widescreen Edition)

  • Meet Hitch (Will Smith), New York City's greatest matchmaker. Love is his job and he'll get you the girl of your dreams in just three easy dates, guaranteed! And that's exactly what happens when Albert Brennaman (TV's Kevin James, "The King of Queens") wins the heart of gorgeous society heiress Allegra Cole (supermodel Amber Valletta). So when tabloid columnist Sara Melas (Eva Mend
ALEX 'HITCH' HITCHENS IS A TRUE URBAN MYTH - A LEGENDARY NEWYORK CITY 'DATE DOCTOR' WHO, FOR A FEE HAS HELPED HUNDREDS OF MEN WOO THE WOMEN OF THEIR DREAMS. THE ULTIMATE PROFESSIONALBACHELOR, HITCH DISCOVERS THAT ALL OF HIS TRIED & TRUE TRICKS OF THE TRADE ARE NO MATCH FOR SARA, THE ONE WOMAN HE TRULY LOVESWill Smith's easygoing charm makes Hitch the kind of pleasant, uplifting romantic comedy that you could recommend to almost anyone--especially if there's romance in the air. As suave Manhattan dating consu! ltant Alex "Hitch" Hitchens, Smith plays up the smoother, sophisticated side of his established screen persona as he mentors a pudgy accountant (Kevin James) on the lessons of love. The joke, of course, is that Hitch's own love life is a mess, and as he coaches James toward romance with a rich, powerful, and seemingly inaccessible beauty named Allegra (Amber Valetta), he's trying too hard to impress a savvy gossip columnist (Eva Mendes) with whom he's fallen in love. Through mistaken identities and mismatched couples, director Andy Tennant brings the same light touch that made Drew Barrymore's Ever After so effortlessly engaging. As romantic comedies go, Hitch doesn't offer any big surprises, but as a date movie it gets the job done with amiable ease and style. --Jeff Shannon

Billy's Hollywood Screen Kiss 15x21 Framed Art Print

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BILLY'S HOLLYWOOD SCREEN KISS - DVD MovieFirst-time director Tommy O'Haver garnered a lot of critical acclaim for this contribution to the "new queer cinema." But he seems more clued in as to its weight than the reviewers. O'Haver rightly calls Billy's Hollywood Screen Kiss a Tommy O'Haver "trifle" in the credits and he's on the money in estimating what his film is worth. For sure, the movie has much going for it; it's wholeheartedly enjoyable and packed with the usual dynamic that saturates most gay-themed films: what does one do when that object of desire is heterosexual? In this case O'Haver at least gives his protagonist, Billy, played by Sean P. Hayes, another obsession besides the Brad Pitt-lo! okalike, prophetically named Gabriel, who is enigmatically acted by Brad Rowe. This is because Billy is a photographer, as addicted to finding the perfect picture as the perfect man. His world is formed by old movies: From Here to Eternity and Imitation of Life are his criteria and the flirty foreplay by which to gauge whether or not a love will have stamina and staying power. Of course, Billy is bound to be disappointed by gay-friendly Gabriel, who is struggling in his own way as much as Billy. Full of the usual mix of second-string players who inhabit the gay milieu (e.g., the best female friend who has man trouble of her own, and the older, secure pal who has secretly held Billy in his sights for some time), O'Haver's film breaks the mold by keeping to a dark note. It resembles a Pedro Almodovar spectacle initially with its saturated look and primary-color palette. But three-fourths through, Billy and his gang walk into the contemporary gay equivalent of a ! Gidget movie. The shift is surprising and even sometime! s funny. Billy's Hollywood Screen Kiss has a lot going for it, but it's still just a trifle, and not a milestone in the genre. --Paula NechakFirst-time director Tommy O'Haver garnered a lot of critical acclaim for this contribution to the "new queer cinema." But he seems more clued in as to its weight than the reviewers. O'Haver rightly calls Billy's Hollywood Screen Kiss a Tommy O'Haver "trifle" in the credits and he's on the money in estimating what his film is worth. For sure, the movie has much going for it; it's wholeheartedly enjoyable and packed with the usual dynamic that saturates most gay-themed films: what does one do when that object of desire is heterosexual? In this case O'Haver at least gives his protagonist, Billy, played by Sean P. Hayes, another obsession besides the Brad Pitt-lookalike, prophetically named Gabriel, who is enigmatically acted by Brad Rowe. This is because Billy is a photographer, as addicted to finding the perfect picture as th! e perfect man. His world is formed by old movies: From Here to Eternity and Imitation of Life are his criteria and the flirty foreplay by which to gauge whether or not a love will have stamina and staying power. Of course, Billy is bound to be disappointed by gay-friendly Gabriel, who is struggling in his own way as much as Billy. Full of the usual mix of second-string players who inhabit the gay milieu (e.g., the best female friend who has man trouble of her own, and the older, secure pal who has secretly held Billy in his sights for some time), O'Haver's film breaks the mold by keeping to a dark note. It resembles a Pedro Almodovar spectacle initially with its saturated look and primary-color palette. But three-fourths through, Billy and his gang walk into the contemporary gay equivalent of a Gidget movie. The shift is surprising and even sometimes funny. Billy's Hollywood Screen Kiss has a lot going for it, but it's still just a trifle, and n! ot a milestone in the genre. --Paula NechakMuseum Quali! ty Frame d Art PicturesFirst-time director Tommy O'Haver garnered a lot of critical acclaim for this contribution to the "new queer cinema." But he seems more clued in as to its weight than the reviewers. O'Haver rightly calls Billy's Hollywood Screen Kiss a Tommy O'Haver "trifle" in the credits and he's on the money in estimating what his film is worth. For sure, the movie has much going for it; it's wholeheartedly enjoyable and packed with the usual dynamic that saturates most gay-themed films: what does one do when that object of desire is heterosexual? In this case O'Haver at least gives his protagonist, Billy, played by Sean P. Hayes, another obsession besides the Brad Pitt-lookalike, prophetically named Gabriel, who is enigmatically acted by Brad Rowe. This is because Billy is a photographer, as addicted to finding the perfect picture as the perfect man. His world is formed by old movies: From Here to Eternity and Imitation of Life are his criteria and the! flirty foreplay by which to gauge whether or not a love will have stamina and staying power. Of course, Billy is bound to be disappointed by gay-friendly Gabriel, who is struggling in his own way as much as Billy. Full of the usual mix of second-string players who inhabit the gay milieu (e.g., the best female friend who has man trouble of her own, and the older, secure pal who has secretly held Billy in his sights for some time), O'Haver's film breaks the mold by keeping to a dark note. It resembles a Pedro Almodovar spectacle initially with its saturated look and primary-color palette. But three-fourths through, Billy and his gang walk into the contemporary gay equivalent of a Gidget movie. The shift is surprising and even sometimes funny. Billy's Hollywood Screen Kiss has a lot going for it, but it's still just a trifle, and not a milestone in the genre. --Paula Nechak

The Haunting of Hill House (Penguin Classics)

  • ISBN13: 9780143039983
  • Condition: New
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Pragmatic Charlie Ravynne never imagined she would find herself falling in love with a house of all things, let alone the deserted, dilapidated Victorian mansion she found on the Internet. Her sister, Meg, on the other hand, was not nearly as enamored. In fact, she seriously doubted her sister's sanity, when she suggested they enter the contest that offered Hensley Hall as the prize.
But Meg's curiosity was piqued when she learned the previous owners had died in the old mansion. As a self- styled "ghost magnet" whose interest in the paranormal dated back to her childhood, she became more and more intrigued with the notion that HensleyHall was haunted. If they won the contest, she could have her ! very own ghosts! Though, admittedly, she wasn't all that sure what she'd do with them!
Soon the contest had hooked them both, though neither really believed they had any chance of winning. They had never won anything in their entire lives (except in grade school when they'd won first prize for the most unusual Halloween costume due to a freak accident neither ever wanted to mention again!)and so, they were both amazed when a registered letter brought the good news. They were now the new owners of Hensley Hall and its occupants.
Arriving at their new home, they were horrified by the monstrous mansion that seemed to be waiting for them with malevolent intent. Imprinted by old tragedies…hates…forbidden loves, and a bloated evil that fed on fear, the derelict mansion they had hoped would be their dream house some day, quickly, turned into their worst nightmare as, bit by bit, they uncovered the dark history surrounding its past.
Almost forty years ago, thr! ee schoolgirls had been brutally raped then murdered by the St! oneman, whose signature was a black river rock sealed in the mouth of each victim. Then seventeen year old, Breanna Hensley, vanished and was never seen again, except when night falls and her restless spirit roamed the halls searching for? Is it Devon, her twin brother, and the 'person of interest' the police were about to arrest when he fled the scene and died in a train wreck?
As Meg and Charlie Ravynne struggle to solve the mystery surrounding Breanna's disappearance and find peace for her restless spirit, they begin to believe that Devon is not the one buried in the family mausoleum…that the murderer and rapist the police were looking for is very much alive and somewhere close. Perhaps way too close!
Could he be the darkly, beguiling, Zack Mallory, the mysterious boarder who rents the tower room? Or is he, Adrian Adams, their youngest sister, Rayne's, new love interest? There are more than skeletons rattling around in the cupboards at Hensley Hall…far more…in t! his paranormal thriller laced with romance.
Pragmatic Charlie Ravynne never imagined she would find herself falling in love with a house of all things, let alone the deserted, dilapidated Victorian mansion she found on the Internet. Her sister, Meg, on the other hand, was not nearly as enamored. In fact, she seriously doubted her sister's sanity, when she suggested they enter the contest that offered Hensley Hall as the prize.
But Meg's curiosity was piqued when she learned the previous owners had died in the old mansion. As a self- styled "ghost magnet" whose interest in the paranormal dated back to her childhood, she became more and more intrigued with the notion that HensleyHall was haunted. If they won the contest, she could have her very own ghosts! Though, admittedly, she wasn't all that sure what she'd do with them!
Soon the contest had hooked them both, though neither really believed they had any chance of winning. They had never won anything in their ! entire lives (except in grade school when they'd won first pri! ze for t he most unusual Halloween costume due to a freak accident neither ever wanted to mention again!)and so, they were both amazed when a registered letter brought the good news. They were now the new owners of Hensley Hall and its occupants.
Arriving at their new home, they were horrified by the monstrous mansion that seemed to be waiting for them with malevolent intent. Imprinted by old tragedies…hates…forbidden loves, and a bloated evil that fed on fear, the derelict mansion they had hoped would be their dream house some day, quickly, turned into their worst nightmare as, bit by bit, they uncovered the dark history surrounding its past.
Almost forty years ago, three schoolgirls had been brutally raped then murdered by the Stoneman, whose signature was a black river rock sealed in the mouth of each victim. Then seventeen year old, Breanna Hensley, vanished and was never seen again, except when night falls and her restless spirit roamed the halls searching for? Is it! Devon, her twin brother, and the 'person of interest' the police were about to arrest when he fled the scene and died in a train wreck?
As Meg and Charlie Ravynne struggle to solve the mystery surrounding Breanna's disappearance and find peace for her restless spirit, they begin to believe that Devon is not the one buried in the family mausoleum…that the murderer and rapist the police were looking for is very much alive and somewhere close. Perhaps way too close!
Could he be the darkly, beguiling, Zack Mallory, the mysterious boarder who rents the tower room? Or is he, Adrian Adams, their youngest sister, Rayne's, new love interest? There are more than skeletons rattling around in the cupboards at Hensley Hall…far more…in this paranormal thriller laced with romance.
There is nothing more frightening in the world of horror, than a story that is actually true. When Peter takes his new wife Stacy, up to the mountains for a weekend of fishing, hiking and hopef! ully some intense cuddling, their day starts off great, when t! hey thin k they find the perfect spot. The seclusion of the little lake seems at first to be a plus, but they soon realize, that there is a reason the area around the black waters and the looming hills is empty. "Don't let the night catch me here!" These are the words that run through their minds as the day folds in on itself with terrifying speed, releasing something blacker than the night.
This book contains three stories, all of which are paranormal in nature. The first two are works of non-fiction, true to life ghost stories, if you can believe it, but the third is completely fictional.
There is nothing more frightening in the world of horror, than a story that is actually true. When Peter takes his new wife Stacy, up to the mountains for a weekend of fishing, hiking and hopefully some intense cuddling, their day starts off great, when they think they find the perfect spot. The seclusion of the little lake seems at first to be a plus, but they soon realize, that there i! s a reason the area around the black waters and the looming hills is empty. "Don't let the night catch me here!" These are the words that run through their minds as the day folds in on itself with terrifying speed, releasing something blacker than the night.
This book contains three stories, all of which are paranormal in nature. The first two are works of non-fiction, true to life ghost stories, if you can believe it, but the third is completely fictional.
A REAL GHOST STORY! THIS WILL HAUNT YOU!
This is the story of a true haunting. It was the first ever filmed and televised by NBC in 1971. A young couple purchases a building that was built and occupied by a single family that refused to relinquish their hold, even after death. Investigated and verified by experts, this residence brought chaos to the lives of those who chose to reside there. Unlike a horror novel, this chronicles what a real ghostly experience would resemble. Long before the laws of disclo! sure, a young couple winds up in the midst of strange occurren! ces prio r to the term 'paranormal' becoming a common description. Searching for help at time when supernatural events were a taboo subject and being ignored by the Church, sent them into a desperate search for any assistance. Only a little known organization came to their aid. Author Tom Valentine, brought in a nationally known psychic, Joseph DeLouise, who then asked assistance of an exorcist from England, Reverend William Derl-Davis. Together, they gave their best effort at exorcising the multiple spirits inhabiting the building and disrupting the lives of the living. Events were filmed by NBC, who sent their most prominent Chicago journalist, Carole Simpson, to cover the event. Follow a young couple with a newborn as they attempt to cope with inexplicable events, experience denial, plead for help from their Church, and step into the world of the paranormal. Understand why ghosts cannot be exorcised and a true example of their strong sense of domain, even after death. Learn what e! xperts and gifted people did in a failed attempt to assist this desperate couple. There is no happy ending, as the young couple suffers emotionally, are physically threatened, have their pets terrorized, and eventually suffer financially by actually "giving" their building away. What was intended as a financial answer to their prayers became, instead, a curse to be abolished. Learn many of the various manifestations that can be common in haunting. Ghosts can be seen and heard. They can propel objects and interrupt utilities. They can affect your moods and feed off of your emotions. They can appear as solid as you and me. They can react and become hostile if threatened or violated. Most important, as this young couple learned, they can harm you and cannot be removed. This is a firsthand accounting of what a true haunting is like. There are certain subtle occurrences you may find the most frightening, because you just might relate and recognize them. If so, guess what? You ma! y have a ghost!The classic supernatural thriller by an auth! or who h elped define the genre

First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers-and soon it will choose one of them to make its own.Shirley Jackson's The Haunting of Hill House has unnerved readers since its original publication in 1959. A tale of subtle, psychological terror, it has earned its place as one of the significant haunted house stories of the ages.

Eleanor Vance has always been a loner--shy, vulnerable, and! bitterly resentful of the 11 years she lost while nursing her dying mother. "She had spent so long alone, with no one to love, that it was difficult for her to talk, even casually, to another person without self-consciousness and an awkward inability to find words." Eleanor has always sensed that one day something big would happen, and one day it does. She receives an unusual invitation from Dr. John Montague, a man fascinated by "supernatural manifestations." He organizes a ghost watch, inviting people who have been touched by otherworldly events. A paranormal incident from Eleanor's childhood qualifies her to be a part of Montague's bizarre study--along with headstrong Theodora, his assistant, and Luke, a well-to-do aristocrat. They meet at Hill House--a notorious estate in New England.

Hill House is a foreboding structure of towers, buttresses, Gothic spires, gargoyles, strange angles, and rooms within rooms--a place "without kindness, never me! ant to be lived in...."

Although Eleanor's initial reactio! n is to flee, the house has a mesmerizing effect, and she begins to feel a strange kind of bliss that entices her to stay. Eleanor is a magnet for the supernatural--she hears deathly wails, feels terrible chills, and sees ghostly apparitions. Once again she feels isolated and alone--neither Theo nor Luke attract so much eerie company. But the physical horror of Hill House is always subtle; more disturbing is the emotional torment Eleanor endures. Intense, literary, and harrowing, The Haunting of Hill House belongs in the same dark league as Henry James's classic ghost story, The Turn of the Screw. --Naomi Gesinger

Victorinox Men's Softshell Glove, Black/Asphalt Grey, X-Large

Death at a Funeral

  • Condition: New
  • Format: DVD
  • AC-3; Closed-captioned; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
From acclaimed director Frank Oz (In & Out, Dirty Rotten Scoundrels) comes "a fast, furious and riotously funny farce" (Maxim) that'll have you dying with laughter!

As the mourners and guests at a British country manor struggle valiantly to "keep a stiff upper lip," a dignified ceremony devolves into a hilarious, no-holds-barred debacle of misplaced cadavers, indecent exposure, and shocking family secrets. Packed with extras including audio commentaries and an uproarious gag reel, Death at a Funeral blows the lid off the proverbial coffin as "the film's delicious comic flourishes... sight gags, slapstick, flawless timing... are served up by an outstanding cast" (O, The Oprah Magazine).Though it doesn't hit the same comic heights as Bowfinger, Death at a Funer! al is a fun little romp. Granted, not all of the characters are meant to be humorous, like Daniel (Matthew Macfadyen, Pride & Prejudice) and his wife, Jane (Keeley Hawes, Tristram Shandy), straight-faced foils for the more over-the-top performers. After Daniel's father passes away, the couple offers to host the funeral, so all his relatives descend on the family abode, including Daniel's estranged brother, Robert (Rupert Graves, V for Vendetta). The mood is already tense when their cousin, Martha (Daisy Donovan), arrives with her nervous fiancé, Simon (Alan Tudyk, Serenity). On the way over, Simon takes a Valium that's actually a hallucinogenic concoction cooked up by Martha's pharmacology student brother. By the time they arrive, Simon's inhibitions are gone with the wind. Other guests include Uncle Alfie (Peter Vaughn) and an uninvited American mourner (Peter Dinklage). By the end of the movie, one of these individuals will be dead. Though! he's worked in the States for several decades, director Frank! Oz was born in the UK, and Death at a Funeral feels like the work of a British filmmaker. As drawing room comedies go, it may not rival Arsenic and Old Lace, but it's still funnier than most. If the film has a flaw, it's one misjudged moment of scatological humor, which is sure to induce more cringes than giggles. Fortunately, it's over quickly, and Tudyk's hilarious performance provides ample compensation. --Kathleen C. Fennessy

Beyond Death at a Funeral


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Stills from Death at a Funeral







A funeral ceremony turns into a debacle of exposed family secrets and misplaced bodies. Studio: Sony Pic! tures Home Ent Release Date: 08/10/2010 Starring: Keith Davi! d Run t ime: 92 minutes Rating: R Director: Neil LabriteLess than three years after the 2007 Brit-com Death at a Funeral hit theaters, this remake offered a nearly scene-for-scene variation on the original. Once again a family has gathered for the dignified memorial service for a patriarch: older son (Chris Rock) has prepared a eulogy; younger son (Martin Lawrence) has flown in on his celebrity as a bestselling author; favorite niece (Zoe Saldana) has brought her fiancé (James Marsden, flipping out), unaware that he has accidentally ingested a hallucinogen manufactured by her pharmaceutically minded brother (Columbus Short, from Cadillac Records). You know, the usual fare for a funeral. The wild card is a stranger (Peter Dinklage, the only member of the cast to repeat his role from the 2007 film) who has something urgent to impart to the two sons. There's nothing terribly elevated about the slapstick, and one particular scatological sequence tests the boundaries of ! the bearable (30 Rock's Tracy Morgan, in his usual unbounded form, takes the brunt of this scene). The unexpected director is Neil LaBute, who shows off his sense of comic timing and keeps the whole apparatus moving along briskly. In addition to the relatively subdued lead turns by Rock and Lawrence, the big cast includes Danny Glover, Regina Hall, Luke Wilson, and Loretta Devine. It is almost irrelevant to debate whether this version improves or deflates the original; both hit their marks, deliver the broad yuks, and leave behind a mostly mechanical feel. But the job is accomplished--now rest in peace. --Robert Horton

Bait Shop

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Genre: Comedy
Rating: PG13
Release Date: 11-NOV-2008
Media Type: DVDIn this bittersweet story about family, love and redemption, the death of a loved one brings fading country music star Bo Price (Toby Keith) back to his hometown where he is reunited with his childhood sweetheart (Kelly Preston) and meets his 16-year-old daughter for the first time. Can Bo mend the bridges that were broken when he up and left his home and loved ones for fame and fortune? Broken Bridges, starring country superstar Toby Keith, is the Country Music Channel's debut entry into the world of feature films. Though it plays more like a televised movie of the week--complete with an opaque plot, much tears, and a happy ending--Broken Bridges is a guilty pleasure, thanks in large part to the surprising likeability (though not believability) of Keith. The tall singer plays Bo Price, a struggling musician who heads back to his small hometown for his younger brother's funeral. There, he runs into his high-school sweetheart Angela Dalton (Kelly Preston) and her teenage daughter Dixie (Lindsey Haun, daughter of Air Supply guitarist Jimmy Haun). It comes as no surprise to the viewer that Dixie is Bo's child--a daughter he never knew he had. Though she doesn't share her father's gruff personality, she did inherit his musical aptitude and stage presence. While Burt Reynolds chews up the scenery as Angela's father, Tess Harper--playing his wife--doesn't get much to do other than look worried. Look for BeBe Winans and Willie Nelson to make guest appearances as themselves. As for Bo and Angela? She makes a feeble attempt to resist her ex's charms by laying down the law. "I came out here to lay down the ground rules," sh! e tells him. "Don't speak to my parents. Don't speak to Angela! . And do n't speak to me." Rules, of course, are meant to be broken, especially in feel-good movies such as this. --Jae-Ha KimThis is the soundtrack for Toby Keith's new motion picture, Beer For My Horses. It will feature music from Toby Keith, Willie Nelson, Trailer Choir, Ted Nugent, Gina Gershon, James McMurtry, Mac Davis, Mel Tillis, Carter's Chord, Rodney Carrington, David Allan Coe and Mica Roberts.Studio: Lions Gate Home Ent. Release Date: 09/02/2008 Run time: 85 minutes Rating: PgBait Shop stars the eternally affable yet exasperated comedian Bill Engvall as Bill Dugan, owner of a homey but smalltime bait shop. Bill's job and self-respect are threatened when arrogant fishing celebrity Hot Rod Johnson (Billy Ray Cyrus, better known as Miley's dad) opens a massive fishing superstore right next door. Only by challenging Hot Rod in a bass fishing tournament can Bill set things right! Bait Shop is a bundle of clumsy cliches made somewhat tolerable by a likab! le cast (including outlaw country music singer Billy Joe Shaver as Bill's mentor) and an enthusiastic performance by Cyrus, who clearly enjoys being the bad guy for once. High points include Bill having a bar fight while dressed in a fish costume and Bill wrestling an obviously rubber bass into his boat. There are many declarations about how fishing used to be more pure and how friendship is the most important thing in life. Extras include a standard-issue making-of documentary, some beautiful shots of the local landscape (which, inexplicably, never got used in the movie itself), some understandably deleted scenes and some scenes of the cast goofing around. All in all, not much effort was put into making either the movie or the DVD. --Bret Fetzer

Selasa, 29 November 2011

The Pioneer Woman Cooks: Recipes from an Accidental Country Girl

  • ree drummond
  • pioneer woman
  • cook book
  • 0061658197
Firefighter Patrick Sullivan (Jeffrey Dean Morgan) finds his life turned upside-down when his fiancée suddenly calls off their pending nuptials per the recommendation of radio love guru Dr. Emma Lloyd (Uma Thurman). Determined to get back at this "love doctor," Sullivan forges a fake marriage license, "accidentally" marrying him to Emma,who's already engaged to Richard (Colin Firth). But as Patrick's charms begin to wear Emma down, she must decide which of these bachelors is her "Mr. Right." Also starring Sam Shepard, Justina Machado and Isabella Rossellini in this romantic comedy that proves even the experts need to learn a few love lessons now and then.Doctor, heal thyself! That's the wry message underscoring the charming romantic comedy The Accidental Husband, which features Uma Thurman as Emma, a radio "love d! octor" who can't quite seem to manage her own love life off the air. The cast is splendid, led by Thurman, who has rarely gotten to show her comic chops, and who really is very funny and has a gift for physical comedy as well. The two bachelors whose lives are accidentally (on purpose?) entangled with hers are played by two dreamboats, Jeffrey Dean Morgan (rugged firefighter Patrick) and Colin Firth (her fiancé, Richard). The chemistry between Emma and both suitors is crackling and captured well on film by director Griffin Dunne. Thurman, Morgan, and Firth are joined by a supporting cast every bit as spot-on as they are: Sam Shepard, Brooke Adams, Isabella Rossellini, Sarita Choudhury, and Keir Dullea, each of whom brings his or her own quirks and charms. The Accidental Husband is very much in the mode of Four Weddings and a Funeral and the Bridget Jones films--which is to say, make a date with it for your next date night. --A.T. HurleySusan And! erson walks you through the principal reasons why your husband! or boyf riend probably has an older woman on the side. Think not? Think again. There are sound reasons why an older woman is sometimes preferable to a younger one. When you finish reading this book, you will wonder how you could have been so naive.Susan Anderson walks you through the principal reasons why your husband or boyfriend probably has an older woman on the side. Think not? Think again. There are sound reasons why an older woman is sometimes preferable to a younger one. When you finish reading this book, you will wonder how you could have been so naive.This digital document is an article from The Register-Guard (Eugene, OR), published by The Register Guard on October 1, 2010. The length of the article is 476 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Wife set! tles with insurer in husband's accidental death.(Courts)
Author: Unavailable
Publication: The Register-Guard (Eugene, OR) (Newspaper)
Date: October 1, 2010
Publisher: The Register Guard
Page: B13

Distributed by Gale, a part of Cengage Learning

My name is Ree. Some folks know me as "The Pioneer Woman."

After years of living in Los Angeles, I made a pit stop in my hometown in Oklahoma on the way to a new, exciting life in Chicago. It was during my stay at home that I met Marlboro Man, a mysterious cowboy with steely blue eyes and a muscular, work-honed body. A strict vegetarian, I fell hard and fast, and before I knew it we were married and living on his ranch in the middle of nowhere, taking care of animals, and managing a brood of four young children. I had no idea how I'd wound up there, but I knew it was exactly where I belonged.

T! he Pioneer Woman Cooks is a homespun collection of photogr! aphy, ru ral stories, and scrumptious recipes that have defined my experience in the country. I share many of the delicious cowboy-tested recipes I've learned to make during my years as an accidental ranch wifeâ€"including Rib-Eye Steak with Whiskey Cream Sauce, Lasagna, Fried Chicken, Patsy's Blackberry Cobbler, and Cinnamon Rollsâ€"not to mention several "cowgirl-friendly" dishes, such as Sherried Tomato Soup, Olive Cheese Bread, and CrÈme BrÛlÉe. I show my recipes in full color, step-by-step detail, so it's as easy as pie to follow along.

You'll also find colorful images of rural life: cows, horses, country kids, and plenty of chaps-wearing cowboys.

I hope you get a kick out of this book of mine. I hope it makes you smile. I hope the recipes bring you recognition, accolades, and marriage proposals. And I hope it encourages even the most harried urban cook to slow down, relish the joys of family, nature, and great food, and enjoy life.


American Splendor

  • Actors: Paul Giamatti, Shari Springer Berman, Harvey Pekar, Chris Ambrose, Joey Krajcar.
  • Format: AC-3, Anamorphic, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
  • Language: English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1). Subtitles: English, Spanish, French.
  • Region: Region 1 (U.S. and Canada only).
  • Rated: R. Run Time: 101 minutes.
The inspiration for the award-winning movie
from HBO Films and Fine Line Features

AMERICAN SPLENDOR
The Life and Times of Harvey Pekar

Two classic comic anthologies in one volume

Stories by Harvey Pekar

Introduction by R. Crumb

Art by Kevin Brown, Gregory Budgett, Sean Carroll, Sue Cavey, R. Crumb, Gary Dumm, Val Mayerik, and Gerry Shamray

The classic collection of the comics that inspired the movie American Splendor, winner of the Gr! and Jury Prize at the 2003 Sundance Film Festival

American Splendor is the world’s first literary comic book. Cleveland native Harvey Pekar is a true American original. A V.A. hospital file clerk and comic book writer, Harvey chronicles the ordinary and mundane in stories both funny and touching. His dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships. Pekar has been compared to Dreiser, Dostoevsky, and Lenny Bruce. But he is truly more than all of themâ€"he is himself.

“Mr. Pekar has . . . proven that comics can address the ambiguities of daily living, that like the finest fiction, they can hold a mirror up to life.”
â€"The New York Times

“[Pekar] has a vision that makes daily city lifeâ€"a ride on the bus, a run-in with a boss, or simply buying breadâ€"dramatic.”
â€"Chicago Sun-Times

“Simply stated, American S! plendor is the most superb literary endeavor to come off t! he stree ts of Cleveland in decades.”
â€"The Plain Dealer (Cleveland)

“Mr. Pekar lets all of life flood into his panels: the humdrum and the heroic, the gritty and the grand.”
â€"The New York Times Book Review
Based on the life and work of underground comic book writer Harvey Pekar- a prickly poet of the mundane who knows that all the strategizing in the world can't save a guy from picking the wrong supermarket checkout line.One of the most acclaimed films of 2003, American Splendor is also one of the most audaciously creative biographical movies ever made. Blending fact, fiction, and personal perspective from the comic books that inspired it, this marvelous portrait of Harvey Pekar--scowling curmudgeon, brow-beaten everyman, insightful chronicler of his own life, and frustrated file clerk at a Cleveland V.A. hospital--is an inspired amalgam of the media (comic books, TV, and film) that lifted Pekar from obscurity to the status of a pop! -cultural icon. As played by Paul Giamatti in a master-stroke of casting, we see Pekar and his understanding wife (played by Hope Davis) as underdogs in a world full of obstacles, yet also infused with subtle hope and (gasp!) heartwarming perseverance. We also see the real Pekar, and this multifaceted commingling of "reel" and "real" turns American Splendor into a uniquely cinematic celebration of Pekar's life and, by extension, the tenacity of an unlikely American hero. --Jeff Shannon

Christmas in Wonderland

Monster High Dead Tired Draculaura Doll

Hatchet (Unrated Director's Cut) [Blu-ray]

  • HATCHET BLU-RAY (BLU-RAY DISC)
Studio: Mpi Home Video Release Date: 02/01/2011 Rating: NrThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget sequel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches and finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony To! dd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to them, raising the bloody-disgusting body count and creative means of murder--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet groupie club. Green is intentionally riffing on slasher films not only with the comic dialo! gue and dopey characters, but also by employing icons of the g! enre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryStudio: Mpi Home Video Release Date: 02/01/2011 Rating: NrThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget s! equel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches and finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony Todd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to them, raising the bloody-disgusting body count and creative means of murder--outboard motor, ! super-size chainsaw, belt sander--strictly to satisfy an urge ! felt onl y by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet groupie club. Green is intentionally riffing on slasher films not only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting movie. You're watching to see a giddy homage to the glory days of practical gore effects ! and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryGet ready for one of the most talked-about, red- blooded American horror movies of the past 20 years: When a group of New Orleans tourists take a cheesy haunted swamp tour, they slam face-first into the local legend of deformed madman Victor Crowley. What follows is a psycho spree of seat-jumping scares, eye- popping nudity, skull-splitting mayhem and beyond. Joel David Moore (DODGEBALL), Deon Richmond (SCREAM 3) and Mercedes McNab (BUFFY THE VAMPIRE SLAYER) star â€" along with horror icons Tony ‘Candyman’ Todd, Robert ‘Freddy Krueger’ Englund and Kane ‘Jason’ Hodder â€" in this screamingly funny carnage classic that Fangoria hails as “a no-hold-barred homage to the days when slasher films were at their reddest and wettest!”Adam Green's Hatchet is a goofy, gory gas that pays tribute to the slasher ! boom of the 1980s by placing more hapless teens in the path of! an inde structible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exactly surpass the movies it's spoofing; Green's characters are dopey ciphers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair Witch Project. The widescreen DVD includes commentary by Green and several of his play! ers, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul GaitaStudio: Tcfhe/anchor Bay/starz Release Date: 09/07/2010 Run time: 84 minutes Rating: NrAdam Green's Hatchet is a goofy, gory gas that pays tribute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exactly surpass the movies it's spoofing; Green's characters are dopey ciphers, and Crowley's i! ndiscriminate killing spree negates his sympathetic origins. B! ut the d ialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul Gaita

Envy (Luxe, Book 3)

  • ISBN13: 9780061345746
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A man and a woman tread the lines of danger, desire, and deliverance in the new novel of the Fallen Angels from the #1 New York Times bestselling author of the Black Dagger Brotherhood series.

As the son of a serial killer, homicide detective Thomas "Veck" DelVecchio, Jr., grew up in the shadow of evil. Now, on the knife-edge between civic duty and blind retribution, he atones for the sins of his father- while fighting his inner demons. Assigned to monitor Veck is Internal Affairs officer Sophia Reilly, whose interest in him is both professional and arousingly personal. And Veck and Sophia have another link: Jim Heron, a mysterious stranger with too many answers... to questions! that are deadly. When Veck and Sophia are drawn into the ultimate battle between good and evil, their fallen angel savior is the only thing that stands between them and eternal damnation.

Murder is such a dirty word…

New York Times bestselling adult true crime author Gregg Olsen makes his YA debut with EMPTY COFFIN, a gripping new fiction series for teens based on ripped-from-the-headlines stories…with a paranormal touch.

Crime lives--and dies--in the deceptively picture-perfect town of Port Gamble (aka “Empty Coffin”), Washington. Evil lurks and strange things happen--and 15-year-olds Hayley and Taylor Ryan secretly use their wits and their telepathic “twin-sense” to uncover the truth about the town's victims and culprits. 
 
Envy, the series debut, involves the mysterious death of the twins' old friend, Katelyn. Was it murder? Suicide? An accident? Hayley and Taylor are ! determined to find out--and as they investigate, they stumble ! upon a d ark truth that is far more disturbing than they ever could have imagined.
 
Based on the shocking true crime about cyber-bullying, Envy will take you to the edge--and push you right over.

Jealous whispers. Old rivalries. New betrayals.

Two months after Elizabeth Holland's dramatic homecoming, Manhattan eagerly awaits her return to the pinnacle of society. However, when she refuses to rejoin her sister Diana's side, those watching New York's favorite family begin to whisper that all is not as it seems behind the stately doors of No. 17 Gramercy Park.

In this thrilling installment of Anna Godbersen's bestselling Luxe series, Manhattan's most envied residents appear to have everything they desire: Wealth. Beauty. Happiness. But sometimes the most practiced smiles hide the most scandalous secrets. . . .


Senin, 28 November 2011

Friday Night Lights: The Fourth Season

  • Condition: New
  • Format: DVD
  • AC-3; Box set; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
For four years, the residents and students of Dillon, Texas, have faced difficult choices on and off the field with courage, passion and perseverance. Now the time has come to find closure for problems of the past while pursuing new possibilities that will lead many beyond Dillon city limits. But, will everyone be up to the challenge?Saying goodbye to Dillon, Texas, won't be easy for those who've been with Friday Night Lights from the start--especially those who read the book or saw the movie. Over five years on NBC, students graduated, the high school changed (from West to East Dillon), and Eric and Tami Taylor (Kyle Chandler and Connie Britton) and Buddy Garrity (Brad Leland) remained constants, sometimes making mistakes, but always trying to do right by their kids--biological and! otherwise. And few shows offered more believable relationships, from Coach and Tami to Luke (Matt Lauria) and Becky (Madison Burge), who rekindle their romance in the final season.

If the fourth year marked the end of an era, the fifth revolves around new beginnings: Tami returns to her role as guidance counselor (after a controversial reign as principal), Buddy takes his wayward son under his wing, Julie (Aimee Teegarden) has a rough start at college, Billy (Derek Phillips) becomes assistant football coach, Becky moves in with him and his wife, and quarterback Vince (Michael B. Jordan), who continues to see Jess (Jurnee Smollett), tangles with his recently paroled father, Ornette (Cress Williams). Naturally, there are a few new arrivals, but they don't make the same impact as returning Dillon veterans Landry (Jesse Plemons), Jason (Scott Porter), Matt (Zach Gilford), Tyra (Adrianne Palicki), and Billy's younger brother, Tim (Taylor Kitsch), whose adjustment to life aft! er prison parallels Ornette's experience.

This 13-episode a! rc trace s the road to the state championships and marks the end of one of television's most emotionally involving shows, always operating on the principle that everyone can change, and that there's still room on network TV for semi-improvised, documentary-style filmmaking. Deleted scenes, commentary tracks, and a featurette offer a comprehensive look back at a stellar series, truly one of the medium's very best. --Kathleen C. FennessyTV's hottest new drama, Friday Night Lights, touches down on DVD with all 22 Season One episodes in a 5-disc collection! In the small town of Dillon, everyone comes together on Friday nights when the Dillon High Panthers play. But life is not a game; and the charismatic players, new coach Eric Taylor (Kyle Chandler), and the passionate fans find that their biggest challenges and obstacles come off the field in the compelling day-to-day dramas of their tight-knit community. From producers Brian Grazer (The Da Vinci Code) and Peter Berg (The! Kingdom) comes the critically acclaimed TV series based on the best-selling novel and hit theatrical movie. Discover why The Associated Press calls it "breathtaking in how it captures ordinary life set against extraordinary passions."The first season of Friday Night Lights accomplishes something that few television dramas are able to do: It betters the 2004 film (starring Billy Bob Thornton) on which the series is based. Set in Dillon, Texas, where football--even on the high school level--is everything, Friday Night Lights is a compelling drama with a football subplot. Poignantly and effectively touching on racism, rape, steroids, jealousy, infidelity, and life-changing injuries, the series presents the inhabitants of Dillon as real people who are flawed, but remarkable in their ordinariness. Though the series struggled to find an audience during its inaugural year, it was a critical favorite thanks to some fine acting by leads Kyle Chandler (as Coach Eric Ta! ylor) and Connie Britton (who portrays his wife, Tami). Coach ! Taylor's career depends on his ability to get the Dillon Panthers to the state championship. If the team suffers a losing streak, he knows his family, which includes daughter Julie (Aimee Teegarden), will no longer be welcome in Dillon. Britton, who also played the coach's wife in the film version, is a phenomenal actress who shares simmering chemistry with Chandler. Not content at just being the coach's wife, she lands a job as a counselor at the local high school. That position plays a pivotal role in the season finale, which leaves viewers wondering whether Eric will leave Dillon to accept a coveted coaching job with a university. Though the majority of the twentysomething actors appear too mature to portray high school students, they have the mannerisms of teens down pat. Gaius Charles is perfect as cocky running back Brian "Smash" Williams, who'll risk his health to make sure he gets a football scholarship to college. Local sweethearts Jason Street (Scott Porter) and Lyla Garr! ity (Minka Kelly) are the high school's golden couple. When a football injury leaves him paralyzed, he finds strength in what the future holds for him, but Lyla finds herself in a short-lived affair with Jason's best friend Tim Riggins (Taylor Kitsch). Once the relationship comes out in the open, their classmates' reactions to the "traitors" show that sexual inequality is rampant even in the teen set. Tim's teammates briefly ostracize him, but just as quickly forgive him, especially since he's so valuable on the football field. But Lyla becomes persona non grata to the girls at school who take too much glee in calling the head cheerleader a slut. The hits she takes verbally are no less lethal than the ones the boys take on the gridiron. And the tentative relationship between Julie Taylor and Matt Saracen (Zach Gilford) is the best depiction of teenage love since Angela Chase fell for Jordan Catalano on My So-Called Life. The actors do a wonderful job conveying the sw! eetness, pain, and hurt of falling in love without really unde! rstandin g all of its implications. Peter Berg, who co-wrote and co-directed the film, has a strong presence as a writer on the series and evenly distributes the storylines between the kids and the adults. Friday Night Lights is a drama with teenage characters at its core. But the stories are universal. --Jae-Ha KimOne of the greatest TV dramas of all time continues with 13 gripping fourth season episodes of the critically acclaimed series Friday Night Lights. Small-town life in Dillon has changed irrevocably with the dramatic split of the school district. Coach Taylor (Kyle Chandler) finds himself fighting for the respect of the East Dillon Lions, while his wife, Tami (Connie Britton), faces her own battles as principal of the Dillon High Panthers. Across town, it’s a season for change as graduating students face life after high school, and new students deal with hostile rivalries. From executive producers Brian Grazer, Peter Berg and Jason Katims comes the show that! critics rave “may have the greatest emotional range of any series ever on television” (Neal Gabler, Los Angeles Times).The fourth season of Friday Night Lights begins with Coach Taylor (Kyle Chandler) in what appears to be a lose-lose situation. Fired from Dillon High School as the Panthers' football coach, Taylor is offered a position coaching the East Dillon Lions. No matter how the school board tries to spin it with platitudes about both schools being equal, East Dillon is rundown, has no funds, and has a football squad that's a team in name only. Of course we all know that Coach Taylor being who he is, it's only a matter of time before he turns the team around and gets a little vengeance on the snooty Panthers. Meanwhile, his wife Tami (Connie Britton) is principal of Dillon High School, where their daughter Julie (Aimee Teegarden) is a senior. Her boyfriend, Matt (Zach Gilford), who had the chance to go to art school in Chicago, stayed behind in the small T! exas town because he didn't want to leave behind his grandmoth! er--who' s suffering from Alzheimer's--or Julie. Though some of the plot points may sound melodramatic, they play beautifully in the 13 episodes, which originally aired on television during the 2009-2010 season. There are cast changes, reflecting the graduation of some of the characters. Lyla (Minka Kelly) briefly returns from her studies at Vanderbilt to attend a funeral, while Tim (Taylor Kitsch)--the boy she left behind--struggles with his ambivalent feelings for college and his need to help take care of the only family he has: his older brother, sister-in-law, and infant nephew. And new characters like Vince (Michael B. Jordan)--a central part of at least half the story lines--easily fit into the ensemble cast. Meanwhile, Lyla's dad Buddy (played by Brad Leland with just the right combination of sleaze and pathos) turns out to be instrumental in helping get the football program off the ground at East Dillon. Landry (Jesse Plemons) realizes that his on-again, off-again girlfriend ! is never coming back to him. And he's OK with that as he tackles the challenges of being the new kid at East Dillon. But, as his best friend Matt notes, "he's like a girl" when it comes to holding grudges. There also is major fallout for Tami, who is accused of telling a teenager to end her pregnancy, and trouble for a football player who gets hooked on drugs after an injury. When his religious parents tell him to pray, he does: "Dear Lord, please let me get some more drugs before Friday." There are a few scenarios that ring false, like when the Panthers' star quarterback J.D. McCoy (Jeremy Sumpter) seemingly turns into a malicious, spoiled brat overnight. But overall, Friday Night Lights scores just the right touch. --Jae-Ha Kim

The Astronaut Farmer

  • All systems are "Go" for Charles Farmer. He's faced bank foreclosure, neighborhood naysayers and a government alarmed by his huge purchase of high-grade fuel, but now he's ready to blast into space inside the homemade rocket he built in his barn. Just be home in time for dinner, Charlie.Billy Bob Thornton portrays Charlie in this charmer about chasing dreams.and about what it means to be a family
All systems are "Go" for Charles Farmer. He's faced bank foreclosure, neighborhood naysayers and a government alarmed by his huge purchase of high-grade fuel, but now he's ready to blast into space inside the homemade rocket he built in his barn. Just be home in time for dinner, Charlie. Billy Bob Thornton portrays Charlie in this charmer about chasing dreams...and about what it means to be a family. 10,000 pounds of rocket fuel alone can't lift Charlie into the heavens. He needs a launch/recovery cr! ew, and he has one of the best: his wife (Virginia Madsen) and children, dreamers all. They have liftoff. Our spirits have uplift. Gravity cannot hold down our dreams. The Astronaut Farmer is that kind of movie.

DVD Features:
Featurette
Outtakes

If you can give The Astronaut Farmer the big, bounding leap of faith it requires, you'll probably enjoy this good-natured film about the importance of holding on to your dreams. The title character (and the dreamer in question) is Charlie Farmer (Billy Bob Thornton), a Texas ranch owner and former aeronautics engineer who's got a homemade rocket in his barn and a dream to blast into space. Even though Charlie's deeply in debt and threatened with foreclosure, his wife (Virginia Madsen) and kids are deeply supportive of Charlie's Earth-orbit mission, even when he attracts the glaring attention of a seasoned Air Force colonel (played by Bruce Willis, in an uncredited role), the FAA, the FBI, a! nd the national media. "If we don't have our dreams, we have n! othing," says Charlie at a particularly desperate impasse, and this loopy, offbeat, and unabashedly sentimental drama embraces that message with disarming sincerity.

Suspension of disbelief is a challenge when the movie glosses over so many of its logistical details (like, where does one buy an old NASA space capsule?), and in trying for a kind of Capra-esque, eccentrically Western spin on the American dream, the Polish twins--director Michael and cowriter/actor Mark (making their mainstream debut after such indie hits as Twin Falls, Idaho and Northfork)--are only marginally successful in making Charlie's ambition genuinely believable. The film works much better as a kind of post space-age fable for families, and it's just involving enough to make its climax emotionally rewarding, mostly because Thornton, Madsen, and their costars (including Bruce Dern and Tim Blake Nelson) handle the delicate material with the earnestness it needs to be marginally convincing. Elton! John's "Rocket Man" is predictably heard over the closing credits (accordingly, Charlie's launch-time is "zero hours, nine a.m."), and at a time when several adventurous entrepreneurs (including Amazon.com founder Jeff Bezos) are gradually developing a civilian space-flight industry, The Astronaut Farmer is an admirable yet forgivably flawed reminder that we should never stop reaching for the stars. --Jeff Shannon

Boss Audio Systems CH6530 Chaos Series 6.5-Inch 3-Way Speaker

  • 1/2" PIEZO Dome Tweeter
  • 300 Watts Peak Power
  • Poly Injection Cone
  • 30 oz. Magnet Structure
  • Freq. Response 100Hz-18Hz
Special Forces soldiers are daring, seasoned troops from America's heartland, selected in a tough competition and trained in an extraordinary range of skills. They know foreign languages and cultures and unconventional warfare better than any U.S. fighters, and while they prefer to stay out of the limelight, veteran war correspondent Linda Robinson gained access to their closed world. She traveled with them on the frontlines, interviewed them at length on their home bases, and studied their doctrine, methods and history. In Masters of Chaos she tells their story through a select group of senior sergeants and field-grade officers, a band of unforgettable characters like Rawhide, Killer, Michael T, and Alan -- led by the unflappable Lt. C! ol. Chris Conner and Col. Charlie Cleveland, a brilliant but self-effacing West Pointer who led the largest unconventional war campaign since Vietnam in northern Iraq.

Robinson follows the Special Forces from their first post-Vietnam combat in Panama, El Salvador, Desert Storm, Somalia, and the Balkans to their recent trials and triumphs in Afghanistan and Iraq. She witnessed their secret sleuthing and unsung successes in southern Iraq, and recounts here for the first time the dramatic firefights of the western desert. Her blow-by-blow story of the attack on Ansar al-Islam's international terrorist training camp has never been told before.

The most comprehensive account ever of the modern-day Special Forces in action, Masters of Chaos is filled with riveting, intimate detail in the words of a close-knit band of soldiers who have done it all.
The wars in Afghanistan and Iraq have given the U.S. Army's Special Forces, also known as the Green Be! rets, a central role in American military action like never be! fore. Se veral hundred U.S. Special Forces operators helped a motley band of Afghan rebels orchestrate a stunning rout when they overthrew the Taliban after 9/11. In Iraq, as journalist Linda Robinson explains in Masters of Chaos: The Secret History of the Special Forces, Special Forces units were the main U.S. elements on the ground in the northern and western regions of the country, where they defeated government forces that outnumbered them many times over. Robinson tells the story of the Special Forces through the eyes of a few of its more colorful personalities, men with call signs like Rawhide and Killer. She follows them around the world from Panama and El Salvador to Somalia, Kosovo, and, finally, Afghanistan and Iraq. Surprisingly, however, she devotes only a few pages to the Green Beret-led victory in Afghanistan, even though it was arguably their greatest achievement since they were created after World War II.

Critics and supporters of the recent American inte! rventions alike should find the technical proficiency of the Special Forces interesting and impressive. Each 12-soldier team may marshal more than a century of combined experience in weapons, foreign languages, intelligence, communications, air control, and trauma medicine. For a book about such an action-packed subject, though, Robinson's effort is somewhat dry, and she devotes more time to mundane background biographies than to the dramatic battle scenes in which the Special Forces invariably find themselves. In addition, Robinson's "secret history" is an authorized and sympathetic one, and readers may be left wondering what she may have left out of her accounts in order to maintain her access. --Alex Roslin

In this book, Olivier Roy, Europe's leading scholar of political Islam, argues that the consequences of the "war on terror" have artificially conflated conflicts in the Middle East in such a way that they appear to be the expression of a widespread "Muslim an! ger" against the West. But in reality, there are no us! and them. Instead, the West faces an array of "reverse alliances" that operate according to their own logic and dynamics.

The West supports General Musharraf in Pakistan, yet his military intelligence services are in league with the Taliban; in Iraq, the United States shores up a government that is closely linked to its archenemy, Iran; Iraqi Kurds, allies of the Americans, give sanctuary to the PKK, an adversary of a fellow NATO member, Turkey; while the Saudis support the Iraqi Sunnis who are, in turn, fighting Coalition forces. As if these issues were not complicated enough, the ever-worsening Shia-Sunni divide now threatens to disrupt any future strategic planning the West might attempt in the Middle East.

Roy unravels the complexity of these conflicts in order to better understand the political discontent that sustains them. He also emphasizes that the war on terror should not be regarded merely as a geopolitical blunder committed by a fringe group of neoco! nservatives. It is instead a problematic outgrowth of our deeply rooted Western perceptions of the Middle East, including the belief that Islam, rather than politics, is the overarching factor in these conflicts, thus explaining the West's support for either would-be secular democrats or (more or less) benign dictators. Roy's conclusion argues that the West has no alternative but to engage in a dialogue with the political forces that truly matterâ€"namely the Islamo-nationalists of Hamas and the Muslim Brotherhood.

(4/27/08)Boss Audio CH6530 Chaos Series 6.5" 3-way Speaker

Beerfest (Unrated Widescreen Edition)

  • After a humiliating false start in Germany's super-secret underground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!Running Time: 116 min. Format: DVD MOVIE Genre: COMEDY Rating: NR Age: 085391102076 UPC: 085391102076 Manufacturer No: 110207
Gamers, grannies and stoners unite! From Adam Sandler's Happy Madison Productions comes a raucously funny, "fish-out-of bongwater comedy" (Playboy) that'll have you rolling with laughter! Life is sweet for 35-year-old video game tester Alex (Allen Covert), until he's forced to move in with his overbearing grandmother Lilly (Doris Roberts) and her two roommates: oversexed Grace (Shirley Jones) and overmedicated Bea (Shirley Knight). To save face with his much younger co-workers and super-sexy new boss (Linda Cardellini), Alex brags about the "thr! ee hot babes" living with him, but soon that cat's out of the bag?and the real party at Grandma's house has just begun! If you love footie pajamas, techno-talk and karate-chopping chimps (and who doesn't?), grab your buds and watch Grandma's Boy!Gamers, grannies and stoners unite! From Adam Sandler's Happy Madison Productions comes a raucously funny, "fish-out-of bongwater comedy" (Playboy) that'll have you rolling with laughter! Life is sweet for 35-year-old video game tester Alex (Allen Covert), until he's forced to move in with his overbearing grandmother Lilly (Doris Roberts) and her two roommates: oversexed Grace (Shirley Jones) and overmedicated Bea (Shirley Knight). To save face with his much younger co-workers and super-sexy new boss (Linda Cardellini), Alex brags about the "three hot babes" living with him, but soon that cat's out of the bag and the real party at Grandma's house has just begun! If you love footie pajamas, techno-talk and karate-chopping chimps (and! who doesn't?), grab your buds and watch Grandma's Boy!SPECIAL! FEATURE S: - ORIGINAL THEATRICAL AND UNRATED FILM VERSIONS - AUDIO COMMENTARY - DELETED SCENES - AND MOREDisc 1: Dodgeball WS Disc 2: Grandma's Boy WS Disc 3: Freddy Got Fingered WSAfter a humiliating false start in Germany's super-secret underground beer competition, America's unlikely team vows to risk life, limb and liver to dominate the ultimate chug-a-lug championship. The laughs are on the haus!

DVD Features:
Audio Commentary
Deleted Scenes
Featurette
Interviews
Other

While it didn't quite spark a trend in chug-a-lug brew comedies, Beerfest is the kind of zany time-killer that's a lot funnier if you're within reach of a six-pack and Doritos. In other words, this is yet another low-brow laff-a-thon from the Broken Lizard gang (Super Troopers) that's likely to draw a bigger audience on DVD than it did in theaters, especially since there's a lot of duds (and flat suds) to sit through while waiting for the next big beer-belly-laugh. It's the kind of movie that thinks masturbating frogs a! re funny (OK, you decide), while serving up a gang of guzzling Americans (the aforementioned Broken Lizard troupe, who also write this stuff with director Jay Chandrasekhar) who compete in an epic beer-drinking contest against the nefarious German challenger Baron Wolfgang Von Wolfhausen (played by German actor Jurgen Prochnow, whose starring role in Das Boot inspires one of this movie's better jokes). When it's not trying to top itself in terms of sheer stupidity and juvenile humor, Beerfest satisfies its target audience (basically, frat-rats and party animals) with some gratuitously bare-breasted babes, rampant consumption of alcohol, and the welcomed appearance of Cloris Leachman, who sort-of reprises her "Frau Blucher" persona from Young Frankenstein. So basically what you've got here is a dim-witted but energetic comedy called Beerfest that delivers exactly what you'd expect from a movie with that title. Who says truth in advertising is dead? --! Jeff Shannon

Forget Paris

  • The romantic life of NBA referee Billy Crystal is on the rebound when he falls for airline employee Debra Winger. Crystal also directs this transatlantic comedy slam dunk with top-notch supporting cast of comedy pros, including Joe Mantegna, Cathy Moriarty and William Hickey.Running Time: 103 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Age: 053939250121 UPC: 0
The romantic life of NBA referee Billy Crystal is on the rebound when he falls for airline employee Debra Winger. Crystal also directs this transatlantic comedy slam dunk with top-notch supporting cast of comedy pros, including Joe Mantegna, Cathy Moriarty and William Hickey.Billy Crystal plays Mickey, a basketball referee who has to accompany his estranged father's body to France, where the old man requested to be buried with the other members of his D-Day platoon. Unfortunately for Mickey, the airline loses his body. Fortu! nately for Mickey, this leads him to meet Ellen (Debra Winger), an airline executive who takes personal charge of the case and even joins him at the funeral. A whirlwind Paris romance leads to marriage, but that's when the complications begin... The story of Mickey and Ellen's marriage is recounted by their friends (played by Joe Mantegna, Cynthia Stevenson, Julie Kavner, Richard Masur, John Spencer, and Cathy Moriarty) as they wait for Mickey and Ellen to arrive at a dinner party. And of course these friends have their own stories, which are played out in witty shorthand as they bicker about who's going to tell the next part of the Mickey/Ellen saga. Forget Paris is uneven (unsurprisingly, Winger is stronger in the dramatic sections and Crystal in the comic parts, a schism that takes its toll on their chemistry), but its best parts hold up, even if the whole is shaky. Plus, the movie's theme (that romantic memories aren't what makes a marriage work, you have to live! in the present) is explored with conviction and tenderness. --Bret Fetzer

Benchmade Bone Collector Axis Folding Knife with Green/Black G10 Handle

Adam Sandler's Eight Crazy Nights

  • Actors: Jamie Alcroft, Blake Clark, Norm Crosby, Ellen Albertini Dow, Carmen Filpi
  • Format: AC-3, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, Widescreen, NTSC
  • Language: English. Subtitles: English, French.
  • Region: Region 1 encoding (US and Canada only)
  • Rated PG-13
Once a happy boy, but now the town delinquent, Davey (voiced by Sandler) is given one last chance to redeem himself with his community and discover the true meaning of the holiday season. Voices of Adam Sandler along with Kevin Nealon, Rob Schneider and Jon Lovitz. VHS and DVD features the short film with Adam Sandler’s Dog "A Day with Meatball" and many Adam Sandler songs!Adam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Crazy Nights,! because Sandler does the voices for three different characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerADAM SANDLER'S EIGHT CRAZY NIGHTS - DVD MovieAdam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by ! 8 Crazy Nights, because Sandler does the voices for three! differe nt characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret FetzerStudio: Sony Pictures Home Ent Release Date: 05/20/2008 Run time: 76 minutes Rating: Pg13Adam Sandler fans will find the animated movie 8 Crazy Nights to be another flowering of Sandler's absurdist goofiness. People who find Sandler completely annoying will be triply annoyed by 8 Cra! zy Nights, because Sandler does the voices for three different characters: Davey Stone, a boozing, belching, self-loathing loser who hates the holidays; Whitey, a tiny old man who tries to rehabilitate Davey; and Eleanor, Whitey's neurotic twin sister, who seems not to have left her house in years. Fans will find the slapdash musical numbers and scatological humor hilarious; foes will find them tiresome and banal. But even Sandler's advocates won't care about the by-the-numbers plot of holiday redemption; you see, Davey's parents died on the first night of Hanukkah, and he just needs to cry about it. Sandler's best when he's walking that line between stupid and smart-ass. When he gets sentimental, it's trouble. --Bret Fetzer
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